PiL – Careering

Forgot all about this. BASS.

1 Comment

Most listened tracks of the year, 2010

Massively late – this is what Last.fm said I was listening to in 2010:

20110101-bxfxrmi2yj5cjmi43c8dr
  1. Actress – Hubble

    Quote from kem1kal in the YouTube comments for this – “this transports??? me to another universe. glad electronic music finally sounds like the future again.”. Especially love it when people embrace the sound of a technology to make new, weird stuff rather than just using it to replicate old styles.

  2. CUB – C U 1 (UST Remix)

    Impossibly dark clanky techno, by Regis/Mick Harris.

  3. Sandra Electronics – It Slipped Her Mind

    Cabaret Voltaire-style drone industrial-bossanova from Regis, blummin’ marvellous.

  4. Entro Senestre – La Caccia

    Can’t help but thinking this is just another Danny Wolfers pseudonym – it sounds just like a Smackos production, and none the worse for it.

  5. Oneohtrix Point Never – Russian Mind

    I’ve played this video an awful lot to our 2 year old toddler, who usually reaches for the mute button with stuff I play him, but he just gazes at it, utterly rapt. Possibly worrying so. His mum has banned him from watching it now. Booo hiss.

  6. Fet Et Moi – Paris Is For Lovers

    Heard this on the Astro Unicorn Radio show on IFM, an excellent moody acid house take on Justin Timberlake’s “My Love”, mmm square-wave bassline.

  7. Oneohtrix Point Never – Laser to Laser

    I couldn’t get on with “Returnal” particularly, but I drank deep from “Rifts”. Think I prefer “Betrayed In The Octagon” or “Computer Vision” to be honest, but still good.

  8. Actress – Lost

  9. 9. Actress – Futureproofing

    (not on YouTube)

  10. 10. Mathew Jonson – Ghosts in the AI

    Pretty old-fashioned electro-techno, sort of surprised this one was in my top ten listened to, not that it’s not a good track. Nice farty bassline.

And top artists – it’s all Actress.

20110101-j5q5wdtiemibw1j4pnw5c
No Comments

2 AM/FM – Desolate Cities

No prizes for originality, but JTC and D’Marc Cantu show how to work that 707 over a satisfyingly chunky 303 bassline on “Desolate Cities” . B-side is a cracker too:

No Comments